“Far more intriguing — than most entry-level horror pics, marrying a retro B-movie setup with the ghostly obsessions of recent Asian extreme cinema.”
BENNETT JOSHUA DAVLIN “Again, this seqeunce stayed in his study rather than in a library. I think it was the right decision. I am tired of seeing people go to libaries etc. for info they can get in the convenience of their own home.”
“this seqeunce stayed in his study rather than in a library. I think it was the right decision. I am tired of seeing people go to libaries etc. for info they can get in the convenience of their own home.”
This sequence was originally conceived in a library. For budget reasons, I changed this to use the internet.
Storyboard for investigating Allison Frost. “This sequence was shot as is, despite being block shot. In order to come in on time, I shot eight scenes out of complete order in the study. I would light one axis and then costume change the actor and shoot out all the senes on that axis.”
Location material of a Brazilian hotel set created by production designer Stephen Geaghan. This set was used in the movie “Memory”, written/ produced/ and directed by Bennett Joshua Davlin, based on his novel “Memory”, also produced by Anthony Badalucco, and Associate Produced by Jeannette Weinstein.
A jungle set for Memory, produced by Bennett Davlin and Anthony Badalucco, associate produced by Jeannette Weinstein.
A doll used in the film of “Memory”, directed by Bennett Davlin, produced by Bennett Davlin and Anthony Badalucco, and Associate Produced Jeannette Weinstein. These dolls had real human hair and were later set on fire.
Art direction material of the secret lair used in the movie “Memory”, written/ produced/ and directed by Bennett Joshua Davlin, also produced by Anthony Badalucco, and Associate Produced by Jeannette Weinstein.
Art direction material used in the movie “Memory”, written/ produced/ and directed by Bennett Joshua Davlin, also produced by Anthony Badalucco, and Associate Produced by Jeannette Weinstein.
